Showing posts with label The Wind in the Willows. Show all posts
Showing posts with label The Wind in the Willows. Show all posts

Wednesday, 10 August 2016

Mr. Toad's Not-So-Wild Ride: Kenneth Grahame's The Wind in the Willows

When adapting Kenneth Grahame's The Wind in the Willows, the demands of wartime animation led Disney to focus on the comic farce that was J. Thaddeus Toad's misadventures with automobiles. But as Christopher Robin Milne once noted, having watched his celebrated father Alan Alexander Milne adapt the story to the theatrical stage, there are really two books jammed into The Wind in the Willows. The one is about Mr. Toad. The other is the serene, sometimes terrifying, and always picturesque lives of the animals along the river.

Illustration by E.H. Shepard.

Saturday, 9 July 2016

Walt's Era - Part 4: Post-War Recovery (1947-1950)


The Second World War ended in 1945, freeing Disney up from the pressures that bogged the company down. Animators returned home from the war, the US military vacated the studios, and global markets opened back up. Nevertheless, these were still trying financial times for Walt and his crew.

Through the remainder of the Forties, Disney opted against trying anything too ambitious. Animators geared back up to doing full feature films by a couple of "package films" consisting of two half-hour shorts, directors continued pushing further into the realm of live-action, and the first True-Life Adventure slipped in, culminating in the company's grand return to fairy tale feature films with Cinderella. Beyond feature films, Donald Duck's star was eclipsing Mickey Mouse: in 1947 alone, only one Mickey short was produced against the eight starring Donald and four starring Pluto. In 1949 and 1950, no Mickey shorts were made at all. Things were pretty even between the two before the war, until it came time for Donald to be enlisted in the army. People could relate to the exaggerated caricature of Donald in a way that they could not relate to the affable Mickey anymore.


Overall, the stage was being set for a new "Golden Age" to emerge in the Fifties. In this batch of films, we see Disney once more trying to find its footing, preparing for great things to come.