Showing posts with label Mickey Mouse. Show all posts
Showing posts with label Mickey Mouse. Show all posts
Saturday, 14 March 2015
Mickey's First Feature Film Appearance
According to official Disney files, the first feature film appearance of Mickey Mouse was Fantasia. That may be his first feature film appearance in an official Disney film. However, Walt Disney rented is creation out in 1934 for a cameo in the MGM film Hollywood Party.
Saturday, 21 February 2015
Disneyana: Classic Collectibles 1928-1958
Though over a decade old, Disneyana: Classic Collectibles 1928-1958 by Robert Heide and John Gilman is nonetheless an important book for those interested in Disney's early years. The title tells you what you get, and it has been a perfect companion for me in my continued examination of Mickey Mouse's life outside of film (begun with the compilations of the Mickey newspaper strip written and illustrated by Floyd Gottfredson).
Disneyana is not merely a catalogue or price guide to vintage Disney collectibles. Heide and Gilman begin with recounting how interest in vintage Disney collectibles surged around Mickey's 50th birthday, thanks in no small part to the collection of Mel Birnkrant being enshrined as "Mickey Mouse-eum" in a department store in Newark, New Jersey. This exhibition opened people's eyes to the aesthetic, nostalgic, and financial value of clocks, dolls, watches, bisques, and other trinkets from the Thirties and Forties, adorned with the grinning rodent. After this, the book reverts to a look at how Disney merchandising developed, in its social context.
Disneyana is not merely a catalogue or price guide to vintage Disney collectibles. Heide and Gilman begin with recounting how interest in vintage Disney collectibles surged around Mickey's 50th birthday, thanks in no small part to the collection of Mel Birnkrant being enshrined as "Mickey Mouse-eum" in a department store in Newark, New Jersey. This exhibition opened people's eyes to the aesthetic, nostalgic, and financial value of clocks, dolls, watches, bisques, and other trinkets from the Thirties and Forties, adorned with the grinning rodent. After this, the book reverts to a look at how Disney merchandising developed, in its social context.
Saturday, 6 December 2014
Walt Disney's Mickey Mouse by Floyd Gottfredson, Volumes 1 and 2
In the 1930's, Mickey Mouse was a veritable superstar, but Walt Disney was still feeling out his potential as a character and a corporate icon. His films varied in tone, subject, and quality. The merchandising machine was just gearing up. And King Features Syndicate was beating down Walt's door to produce a daily newspaper strip starring the Mouse. Thanks to the efforts of publisher Fantagraphics and editors David Gerstein and Gary Groth, this early slice of Mickey's life has been preserved for us in a series of very handsome volumes.
The first two volumes in the series - Race to Death Valley and Trapped on Treasure Island - set the stage very well for Mickey's rise to fame and the conditions under which artist and writer Floyd Gottfredson inherited the strip's mantle. In 1930, shortly after Disney's merchandising department was created, Walt personally scripted the strip drawn by Ub Iwerks. These very early strips were almost exact adaptations of the early cartoons, particularly Plane Crazy. However, Walt's responsibilities as the head of a growing company and the sudden departure of Iwerks led to a shakeup from which a new hire in the animation department - Gottfredson - was given the "temporary" assignment. That assignment lasted until 1975.
The first two volumes in the series - Race to Death Valley and Trapped on Treasure Island - set the stage very well for Mickey's rise to fame and the conditions under which artist and writer Floyd Gottfredson inherited the strip's mantle. In 1930, shortly after Disney's merchandising department was created, Walt personally scripted the strip drawn by Ub Iwerks. These very early strips were almost exact adaptations of the early cartoons, particularly Plane Crazy. However, Walt's responsibilities as the head of a growing company and the sudden departure of Iwerks led to a shakeup from which a new hire in the animation department - Gottfredson - was given the "temporary" assignment. That assignment lasted until 1975.
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