Showing posts with label True-Life Adventures. Show all posts
Showing posts with label True-Life Adventures. Show all posts

Saturday, 11 February 2017

Walt's Era - Part 11: A Gala Year for Disney (1959)


1959 was a good year for Disney in front of the cameras. In Disneyland, it was a "Gala Day" when the Matterhorn Bobsleds, Submarine Voyage, and Disneyland-Alweg Monorail were opened on June 15th. The openings were commemorated on television with the program Disneyland '59 (to be re-released theatrically the following year), and inaugurated the new "E-Ticket." On television, Walt Disney Presents, The Mickey Mouse Club, and Zorro were still going strong. On the silver screen, 1959 was Disney's best year since 1954/55... Sleeping Beauty, The Shaggy Dog, Darby O'Gill and the Little People, Third Man on the Mountain, Jungle Cat, Grand Canyon, Donald in Mathmagic Land... After some of the low points of the last couple entries, such a consistently good slate of films is a welcome relief. New stars were also being built up, like Annette Funicello, who was rising to stardom with her first top ten single, Tall Paul.

Walt and the Nixons attempting to cut the ribbon for the Monorail.
Photo: Disney.
Behind the cameras though, the situation was tense. Annette was getting an improved sense of her own economic value with her rising stardom, and filed a suit to break her contract with Disney in order to make higher pay. Disney launched into their own dispute with ABC to break their contract. As a result, the last episode of Zorro aired on September 24th and the last episode of The Mickey Mouse Club aired on September 25th. It was competition from Pacific Ocean Park, which had started to outdraw Disneyland, that prompted the investment in new attractions. However, the low-capacity wagons and stagecoaches of Nature's Wonderland closed down. And despite how good the films were, Disney's theatrical releases also underperformed through 1959 and 1960. In 1960, the company reported their first fiscal loss in ten years, leading to substantial layoffs in the animation department.

As an aside, for the many fans of a particular Disney Parks attraction (myself included), Rod Serling's The Twilight Zone also debuted in 1959 on CBS. It would run for five seasons, ending in 1964. The show was not initially profitable, having to fight against the bias that Science Fiction was merely childish escapism, but has since become one of the most revered and respected adult television dramas of all time. That The Twilight Zone should have eventually worked its way into a Disney theme park is an ironic twist worthy of the show itself. Whereas Walt offered reassurance, Rod Serling did anything but. The dominant theme of The Twilight Zone was the existential angst of modern society, and especially the role of the modern man in a culture that seemed to be leaving him behind.


Saturday, 14 January 2017

Walt's Era - Part 10: Disney's Lost Years (1957-58)



1957 and 1958 coasted along fairly well for Disney, with a few hiccups. Walt started the experiment of taking True-Life Adventures to their next logical place, with his first (and only) "True-Life Fantasy"... A scripted film featuring animals. On October 10th, 1957, the first episode of the legendary Zorro series debuted. In 1958, Walt added to the largest model train set in the world with the addition of the Grand Canyon Diorama, the  #3 engine, and a new station at Tomorrowland. That wasn't the only change in Tomorrowland either. Large parts of it went down for renovations, including the Viewliner train that only opened in 1957. On the other side of the park, the Sailing Ship Columbia, Fowler's Harbor, and the proper Alice in Wonderland ride opened. In September of 1958, Walt Disney's Disneyland on ABC becomes Walt Disney Presents. Apparently the need to so directly build up Disneyland's name recognition was no longer urgent.

Guy Williams doing a public appearance in Frontierland, in character, in 1958.
Photo: Disney.

The biggest blow to the company in this period came with Fess Parker's departure in late 1958, though they probably didn't really notice. After such a banner year in 1956, in which he carried the company's live-action films, Fess was severely underutilized through 1957 and '58. He only made one film for Disney in 1957 - Old Yeller - and another in 1958, and in both he was merely a supporting actor. Recognizing this, how his character was essentially the same in every film, and how little he was being paid by a demanding institution with so many fingers in so many pies that they could really care less about his well-being or career, he wanted to pursue other opportunities. Walt refused to lend him out to other studios for any role that did not conform to Disney's vision for him. This included missing out on a meaty role opposite John Wayne in The Searchers (which he only found out after the fact, when Walt told him in passing) and as Marilyn Monroe's leading man in Bus Stop. Therefore, when Fess was ordered to begin filming a bit part for Tonka in 1958, he refused. He was put on suspension, and eventually walked away from his contract.

What I find most notable about this period, though, is that so much of it is missing. Of the 20 films listed in this part, 10 are not available in any current format and a further four are not available in their theatrical form. Four of those films that are unavailable in theatrical form don't even have a recorded release date. Also of interest, three of those were "Tomorrowland" featurettes: Our Friend the Atom, Man and the Moon, and Man in Flight. In retrospect it would have been interesting to have had a second Walt Disney Treasures: Tomorrowland DVD with the theatrical versions of these shows and Man in Space and Mars and Beyond, as well as missing episodes like Magic Highway U.S.A. Maybe that could have gone alongside the People and Places DVDs that should have been made alongside the True-Life Adventures DVDs. The vast majority of the missing films in this section are People and Places shorts. Unfortunately both Walt Disney Treasures and the Walt Disney Legacy Collection DVDs stalled out long, long ago.


Saturday, 10 December 2016

Walt's Era - Part 9: The Year of Fess Parker (1956)


We have hit something of a milestone with Walt's Era. For the first time in this series, an entry covers a single year and has no animated films. Fantasia was re-released on February 7th, but no new animated films came out in 1956. Of the four feature films that were released, all but one featured Fess Parker, star of Davy Crockett. The outlier was a True-Life Adventure.

A native Texan, Fess came into the Disney fold after Walt spotted his cameo in the classic Science Fiction film Them! He practically leapt off the screen as a pilot driven mad by the sight of gigantic, mutated ants, which appealed to Walt (who had been watching the film to check out lead actor James Arness for the role of Davy Crockett). Fess won the role of his career, and lead Davy Crockett into becoming a household name. Walt saw the makings of a legitimate feature film star, took him off television, and made him the company's #1 lead actor.

Fess Parker at a department store live appearance.

He stayed with the company from 1955 through 1958, when he and Disney had a falling out. In the mean time, he not only became the second most recognizable face of the company and helped to open Disneyland USA, but also had a series of LPs on Disneyland Records. Besides the storyteller and soundtrack albums for his films, he released Yarns and Songs in 1956 and Cowboy and Indian Songs in 1957. His irresistible folksy charm helped shape the company's image during the new Golden Age.


Saturday, 12 November 2016

Walt's Era - Part 8: Disney's Greatest Year? (1954-1955)


What is Disney's greatest year?

Is it the year that they put out their best work? Their largest volume of work? Drew the biggest profits? Made the most arbitrary and shortsighted IP acquisitions? Is it even possible to measure such a thing as a "greatest year," or is it even necessary?

My own an emphatic answer to that original question is mid-1954 to the end of 1955. I'm measuring years the same way Disneyland does.

What Disney did on the big screen that year was substantive enough, including THE MIGHTIEST MOTION PICTURE OF THEM ALL. This period includes some of my personal favourite Disney films, having begun with The Vanishing Prairie (which I covered in our last installment). What really mattered, though, was what Disney was doing on the small screen and in a former Anaheim orange grove.

Building on the experience of The Reluctant Dragon and One Hour in WonderlandWalt Disney's Disneyland debuted on October 17, 1954. The introductory episode was pitch-perfect, introducing both Disneyland the show and introducing Disneyland the park as a shared conceptual space, tying them both together with Disney's feature films into a complete brand package. Walt makes his advertising pitch very entertaining, and follows it up with a quaint Mickey Mouse retrospective that really imbues him with character even as he is on the cusp of transitioning to full-time corporate icon (much like Walt himself). The remainder of the season is astonishing in its breadth and entertainment value: Alice in WonderlandSo Dear to My Heart, The Three Caballeros, The Wind in the WillowsTreasure Island, two behind-the-scenes advertisements for True-Life Adventure features, multiple veiled "advertainments" for 20,000 Leagues Under the Sea and Lady and the Tramp, two theme park progress reports, Man in Space, From Aesop to Hans Christian Andersen, a Donald Duck anthology, and all three episodes of Davy Crockett: King of the Wild Frontier, all culminating in the opening of Disneyland on July 17, 1955. For sheer entertainment and for hungry fans of Disney company history, this first season is pure gold. It's a shame that it has never been released on home video in its original broadcast version.

Photo: Disney.

On October 3, 1955, Disney took over the airwaves again with the debut of The Mickey Mouse Club. The last Mickey Mouse cartoon was The Simple Things, released in April of 1953. His star had been eclipsed by Donald Duck, Goofy, Pluto, and Chip and Dale. New characters had also emerged, like Humphrey the Bear and Ranger J. Audubon Woodlore, who were introduced by Donald in 1954 and starred in two shorts of their own in 1956. They were so prominent that they also featured in The Mickey Mouse Club's opening fanfare. Mickey was settling nicely into his new role as a mascot. The mouse ears sported by the Mouseketeers would become the must-buy souvenir at Disneyland.

Oh yeah, Disneyland opened too.

There isn't much that I need to say about the opening of Disneyland. By now, people should have known that when Walt Disney set his mind to something, he would tenaciously make it work.


Saturday, 8 October 2016

Walt's Era - Part 7: The New Disney Emerges, Part 3 (1953-1954)


We're in the homestretch now. The last of Disney's co-productions with England's Denham Studios was released in the latter half of 1953, closing out the preliminary era of their first fully live-action films. Inspired by their success, Disney had Stage 3 built at the studios, which was in use through late 1953 and early 1954 to film THE MIGHTIEST MOTION PICTURE OF THEM ALL. A crew was also sent to the Bahamas to do the extensive underwater footage.

Filming 20,000 Leagues Under the Sea in Stage 3's water tank. Photo: Disney.

The first feature-length True-Life Adventures was released during this time, followed by my favourite of the entire series. True-Life shorts had run their course and it was time to either expand it or close it down. Disney chose expansion. The weight of pre-movie shorts would be henceforth picked up by People and Places, new live-action shorts, and eventually cannibalized episodes from ABC's Disneyland television series.

Speaking of which, it was also sometime in early 1954 that Disney penned their deal with ABC for funding Disneyland. With funding in place, ground could be broken and work begin.


Saturday, 10 September 2016

Walt's Era - Part 6: The New Disney Emerges, Part 2 (1953)


Big things were brewing behind the scenes as Disney charted out its new course in the Fifties. Most of it worked out quite well for Disney in the end, though it caused back room friction at the time.

Walt Disney Productions bore the name of Walt Disney, but was not synonymous with him as a business unit. In this year, the company's board of directors signed a deal to licence Walt's name for forty years and give him a personal services contract to the tune of $3000/week (which would be pretty good money now let alone in the Fifties). Walt's own company, WED Enterprises would create the attractions for Disneyland which Walt Disney Productions would then purchase. Three board members resigned over the arrangement, and later in the year, a shareholder would sue Walt and WED Enterprises. Nevertheless, plans for Disneyland were proceeding apace. 160 ares of orchard along the Santa Ana Freeway in Anaheim were purchased, ready to be leveled. WED began preliminary design work for the park, including the first full rendering by Herb Ryman, drawn over one weekend with Walt looming over his shoulder.


Significantly for Disney's business operations, Buena Vista Distribution was also incorporated this year. RKO Pictures, with whom Disney had a relationship since 1937, had little faith in the first True-Life Adventures feature film. Not one to let small minds deter him, Walt pushed ahead to take distribution of his films back into his own hands. By contractual necessity, a few more Disney films would be distributed by RKO for the next few years, including a series of now-lost themed anthologies of shorts such as New Year's Jamboree, 4th of July Firecrackers, Fall Varieties, Halloween Hilarities, Thanksgiving Day Mirthquakes, Mickey's Birthday Party, and Christmas Jollities (all 1953).


Saturday, 13 August 2016

Walt's Era - Part 5: The New Disney Emerges, Part 1 (1950-1952)


From the crucible of war, Disney reemerged in the Fifties, expanding and innovating on who they were as a company. Cinderella put them back in the animated feature film business, Seal Island was such a success that they began pairing a new True-Life Adventure with each feature release, they created the Wonderland Music Company to handle their own music publication, and Song of the South and So Dear to My Heart primed them to enter the field of live-action feature films. They also pushed forward in another direction that had most film studios running for the hills: television.


On Christmas Day, 1950, Disney celebrated its grand return with One Hour in Wonderland. This pseudo-pilot for the Walt Disney's Disneyland television series to come brought back the paradigm of the Disney "behind the scenes" originated in The Reluctant Dragon, but in a form that audiences didn't have to pay a movie ticket to see. Walt was able to leverage his studio's assets - namely clips from Snow White and Song of the South, a Mickey and a Pluto cartoon, and a song from the Firehouse Five Plus Two - into what was essentially an advertisement for Alice in Wonderland that was entertaining in its own right. In so doing, he subliminally elevated his upcoming film to the same status as two of his biggest film successes. With One Hour in Wonderland, Walt ingeniously figured out how to make this new medium of television work for him, instead of against him. The idea was repeated in 1951 for The Walt Disney Christmas Show, reassembling the cast to promote Peter Pan.

There was also something else brewing behind the real scenes, away from the prying eyes of the public. In late 1952, Walt reassigned some of his most creative staff members into a shadowy new unit dubbed WED Enterprises.


Wednesday, 27 July 2016

The Wilderness Lodges of Glacier - Part 2



Glacier Park Lodge, built in 1913, was joined by the magnificent Many Glacier Hotel in 1915. It is situated on the picturesque Swiftcurrent Lake, directly opposite the stunning Grinnell Point, named in honour of George Bird Grinnell. Louis Hill, head of Great Northern, deliberately chose the spot for its symmetrical qualities. Many visitors consider this region the true heart of Glacier. From the hotel, trails fan out to the feet of glaciers, to flowering valleys teeming with grizzly bears, and to lakes covered year round with floes of ice.

The hotel itself was built in a style similar to that of Glacier Park Lodge, which was itself inspired by the Forestry Building of the 1905 Lewis and Clark Exposition in Portland, Oregon. That building featured an interior  colonnade of 48' high logs to architecturally recall the majesty of the Pacific Northwest coastal rainforest. Because no trees of such immensity grow in the vicinity of the Rocky Mountains, Great Northern was forced to import the Douglas Firs necessary to build the lobbies of Glacier Park and Many Glaciers.

Historic photo of the interior of the Forestry Building,
Lewis and Clark Exposition of 1905.

Many Glacier Hotel with Grinnell Point in the background.

Grinnell Point and Swiftcurrent Lake.

The lakefront side of Many Glacier Hotel.

Many Glacier's lobby from below. 

Many Glacier's lobby from above.


Many Glacier's beautifully restored restaurant.

A red jammer bus outside the Many Glacier Hotel.
      

Wednesday, 13 July 2016

The Wilderness Lodges of Glacier - Part 1



"Far away in northwestern Montana, hidden from view by clustering mountain peaks, lies an unmapped corner—the Crown of the Continent."
These words, penned in 1901 by famed naturalist George Bird Grinnell, introduced the world to the natural majesty of the area known today as the Waterton-Glacier International Peace Park. It is comprised of two national parks in two countries - Waterton Lakes National Park in Canada and Glacier National Park in the United States - linked by their ecosystem, geology, cultural history and scenic beauty.

St. Mary's Lake, Glacier National Park.

Upper Waterton Lake, Waterton Lakes National Park.

Saturday, 9 July 2016

Walt's Era - Part 4: Post-War Recovery (1947-1950)


The Second World War ended in 1945, freeing Disney up from the pressures that bogged the company down. Animators returned home from the war, the US military vacated the studios, and global markets opened back up. Nevertheless, these were still trying financial times for Walt and his crew.

Through the remainder of the Forties, Disney opted against trying anything too ambitious. Animators geared back up to doing full feature films by a couple of "package films" consisting of two half-hour shorts, directors continued pushing further into the realm of live-action, and the first True-Life Adventure slipped in, culminating in the company's grand return to fairy tale feature films with Cinderella. Beyond feature films, Donald Duck's star was eclipsing Mickey Mouse: in 1947 alone, only one Mickey short was produced against the eight starring Donald and four starring Pluto. In 1949 and 1950, no Mickey shorts were made at all. Things were pretty even between the two before the war, until it came time for Donald to be enlisted in the army. People could relate to the exaggerated caricature of Donald in a way that they could not relate to the affable Mickey anymore.


Overall, the stage was being set for a new "Golden Age" to emerge in the Fifties. In this batch of films, we see Disney once more trying to find its footing, preparing for great things to come.


Wednesday, 7 October 2015

The Wilderness Lodges of Yellowstone - Part 3



Yellowstone National Park's stunning vistas of mountains, valleys, lakes, and wildlife cover a terrible secret. The park's variety of thermal features and igneous rock layers in turn betray it. Roiling beneath Yellowstone is a magma hotspot; an up-swelling of material from deep within the earth that fuels the park's system of geysers and mineral springs, as well as the 1000-3000 earthquakes that happen there per year. Periodically, this hotspot has become so unruly that it vents itself in a pyroclastic fury of unimaginable scale. In its last major explosion 640,000 years ago, 240 cubic miles of ash and debris were thrown into the atmosphere, falling back to earth as far south as the Mexico border. Its caldera measures 34 miles by 44 miles across.

What exactly causes the Yellowstone Hotspot is unknown, but it has lain beneath North America for approximately 16 million years. As the continent moved through plate tectonic action, a succeeding number of volcanic blasts carved out the Snake River Plain that cuts a swath through southern Idaho, terminating at Yellowstone. Moist air from the Pacific channelled up this valley condenses and collapses on Yellowstone, dumping 150 to 300 inches of snow each winter. Some 2.1 million years ago, the hotspot arrived beneath Yellowstone. That was when the first of four eruptions happened that shaped the park as it stands today. A second and smaller explosion happened just outside the park's modern boundaries about 1.3 million years ago. The third happened 640,000 years ago, with the last minor eruption happening about 174,000 years ago. The caldera of this much smaller eruption was filled in by water from Lake Yellowstone, forming the West Thumb. The shore at West Thumb is dotted with thermal springs and minor geysers that have entertained and entranced generations. In the early days, when such activities were permitted, guests could fish in Yellowstone Lake and then swing their line over to a geyser, drop the fish in, and cook it on the spot.

The "Black Pool."
The shoreline at West Thumb Geyser Basin,
dominated by the "Big Cone" geyser.




"Fishing Cone," where visitors would boil fish on the line.
Springs drain into Yellowstone Lake.

Nowhere is the energy of the Yellowstone Hotspot more apparent than in the famous geyser basins. As that 150-300 inches of snow melts and sinks into the earth, it becomes superheated by the magma beneath. Returning to the surface, it explodes in magnificent geysers, bubbles out hot mineral springs and mudpots, or evaporates out in billowing fumaroles. There are an estimated 10,000 thermal features in Yellowstone, with the world's highest concentration of geysers. More than that, these geysers are nearly half of all the known geysers in the world. The most famous of Yellowstone's geysers is, of course, Old Faithful.



Wednesday, 23 September 2015

The Wilderness Lodges of Yellowstone - Part 2



When stories of a surreal wonderland of geysers and mudpots began to surface, the American public could not believe what they heard. John Colter, a guide for the Lewis and Clark Expedition of 1804-1806, was ostensibly the first white man to see Yellowstone. In mocking tones it was called "Colter's Hell." As more and more mountain men ventured into the area and returned to verify Colter's story, public condescension turned into pubic curiousity. Three expeditions were launched between 1869 and 1871. The first was financed and led by David Folsom. Charles Cook, and William Peterson of Monatana. There was still fear that explorers into Yellowstone wouldn't be taken seriously, so Folsom was reluctant when invited to speak to a group of prominent citizens in Helena, Montana. He eventually did, and that speech along with journals from the expedition inspired Montana's Surveyor-General, Henry Washburn, to mount an expedition of his own in 1871. With funding from Northern Pacific Railroad, expedition member Nathaniel Langford went on a speaking tour that led to the formation of the Hayden Geological Survey of 1871. Ferdinand Vandeveer Hayden was a geologist, and his expedition was a veritable army of botanists, zoologists, meteorologists, ornithologists, mineralogists, photographers, entomologists, statisticians, artists, hunters, and guides, along with an actual military escort. In 1872, the indisputable tract of land called Yellowstone was declared a National Park. For his part, Langford was made the park's first superintendent.

Just south of Roosevelt Lodge is one of the great scenic spots of the park. On Tower Creek just before its confluence with the Yellowstone River, Tower Fall is one of the most popular waterfalls in the park. At 132 feet, it was a picturesque stopover for the Washburn Expedition as they explored the region for several days en route to Lake Yellowstone.

Calcite Spring, near Roosevelt Lodge.
Tower Fall from the upper viewpoint.
The feature is named for the rocky spires
that rise above the water. 
Mount Washburn.
The high-country plains and forests of Yellowstone's north.
Following the path of the Washburn Expedition and past the mountain named in Washburn's honour, visitors arrive at the Grand Canyon of the Yellowstone. At 24 miles long and up to 1200 feet deep, hewn by the Yellowstone River and its two rumbling waterfalls, the Grand Canyon of the Yellowstone has inspired reverence and awe from the moment of its discovery. Charles Cook described the moment he accidentally happened upon it in 1869: "I sat there in amazement, while my companions came up, and after that, it seemed to me that it was five minutes before anyone spoke." The Hayden Geological Survey included the artist Thomas Moran, whose painting of the Grand Canyon of the Yellowstone helped promote the creation of the park to the public and the Congress.

Thomas Moran's Grand Canyon of the Yellowstone, 1872.

Wednesday, 9 September 2015

The Wilderness Lodges of Yellowstone - Part 1



Be it enacted by the Senate and House of Representatives of the United States of America in Congress assembled, That the tract of land in the Territories of Montana and Wyoming, lying near the headwaters of the Yellowstone River... is hereby reserved and withdrawn from settlement, occupancy, or sale under the laws of the United States, and dedicated and set apart as a public park or pleasuring-ground for the benefit and enjoyment of the people...
With these words spoken on May 1, 1872, the United States Congress created what has been called America's best and only truly original idea: the world's first National Park.

Native American peoples have been using the rich resources of the Yellowstone region for more than 11,000 years. Obsidian from the caldera of this supervolcano provided the Crow and Shoshone people with material for speartips, arrowheads, and trade with other tribes. Projectile points made from Yellowstone obsidian have been found as far away as the Mississippi. When mountain man John Colter returned to civilization with stories of Yellowstone's bubbling mudpits, scalding steam vents, and magnificent geysers, an unbelieving public nicknamed it "Colter's Hell." After Yellowstone was declared the world's first National Park, Northern Pacific Railway attracted well-heeled tourists by promising them "Wonderland."


Though the railway station has long since withered away, along with the decline in the railway as a means of mass public transportation across the continent, the town of Gardiner, Montana still serves as the northern gateway to Yellowstone. Carriages would line up along the Northern Pacific station's boardwalk to receive the newly arrived tourists, ferrying them to distant points of scenic beauty and wilderness romance within the vast expanses of the park. In 1903, President Teddy Roosevelt laid the cornerstone of the triumphal arch that the carriages would pass through, like Alice through the rabbit hole, demarcating this preternatural landscape from the ordinary. The Roosevelt Arch, inscribed with those words sacred to democracy - "For the Benefit and Enjoyment of the People" - still beckons travellers today.


The United States in the mid-19th century had two conditions that were fertile for the development of the national parks idea. One was wilderness, and the other was an impending threat to the sanctity of that wilderness. Unlike the nations of Europe whose civilizations were measured in millennia, the United States was a new country born in the wilderness of North America. Whereas England, France, Spain, and Germany had monumental Gothic cathedrals, crumbling Roman ruins, and lands long-since carved up by feudal aristocrats, North America had pristine forests, expansive prairies, and towering mountains with the perception that they belonged to no man, Native Americans notwithstanding. Americans like Ralph Waldo Emmerson and Henry David Thoreau began to recognize that just as democracy was essential to the political health of the individual, so was nature essential to their spiritual, emotional, and moral health. To quote Thoreau, from his 1854 memoir Walden:
We need the tonic of wildness... At the same time that we are earnest to explore and learn all things, we require that all things be mysterious and unexplorable, that land and sea be infinitely wild, unsurveyed and unfathomed by us because unfathomable. We can never have enough of nature. We must be refreshed by the sight of inexhaustible vigor, vast and titanic features, the sea-coast with its wrecks, the wilderness with its living and its decaying trees, the thunder-cloud, and the rain which lasts three weeks and produces freshets. We need to witness our own limits transgressed, and some life pasturing freely where we never wander.
In 1893, historian Frederick Jackson Turner proposed the Frontier Thesis, which argued that expansion across the North American frontier shaped American cultural identity by privileging individualism and eschewing traditional, aristocratic, academic, and institutional forms of authority. America's wars against the Aboriginal peoples of the continent contributed to the idea that the nation was forged in the struggle to "tame" the wilderness. However, even as Turner identified the formative power of the frontier on the American psyche, the American frontier was declared "closed." The line of colonization hit the Pacific and despite continued colonial conflicts in the Pacific and the Caribbean, America's collective attention turned from moving outwards to moving inwards and upwards: settlement, development, industrialization.

It became apparent to another generation of conservationists and nature transcendentalists like John Muir that America was quickly in danger of losing its natural heritage to the rapacious exploitation of natural resources. The more threatened wilderness spaces became, the more industrialized and urbanized the nation became, the more apparent the need for nature became and the more desperate the need to take legal action to preserve it. Wrote Muir, in the introduction of his 1901 classic Our National Parks:
Thousands of tired, nerve-shaken, over-civilized people are beginning to find out that going to the mountains is going home; that wildness is a necessity; and that mountain parks and reservations are useful not only as fountains of timber and irrigating rivers, but as fountains of life. Awakening from the stupefying effects of the vice of over-industry and the deadly apathy of luxury, they are trying as best they can to mix and enrich their own little ongoings with those of Nature, and to get rid of rust and disease. Briskly venturing and roaming, some are washing off sins and cobweb cares of the devil's spinning in all-day storms on mountains; sauntering in rosiny pinewoods or in gentian meadows, brushing through chaparral, bending down and parting sweet, flowery sprays; tracing rivers to their sources, getting in touch with the nerves of Mother Earth; jumping from rock to rock, feeling the life of them, learning the songs of them, panting in whole-souled exercise, and rejoicing in deep, long-drawn breaths of pure wildness. This is fine and natural and full of promise. So also is the growing interest in the care and preservation of forests and wild places in general, and in the half wild parks and gardens of towns.   
Thus was born the National Park: a wilderness space preserved as inviolate as possible, as a common trust for the common good of the nation and, indeed, the world. Today there are 3032 national parks spanning over 100 countries. In the United States alone there are 59. The first was Yellowstone National Park.

Old Faithful Geyser.
Grand Prismatic Spring.
The Grand Canyon of the Yellowstone.
Roaming herds of bison.