Disneyland Paris has seen its share of problems, from poor public perception to low investment in maintenance to an ageing set of attractions. There are also attractions found in other Disney parks that are conspicuous in their absence here, like the Jungle Cruise and Enchanted Tiki Room. Nevertheless, Disneyland Paris is, in my opinion, the perfection of the Disneyland concept.
Disneyland Paris was the fourth Disneyland, Magic Kingdom-style park to be built after Disneyland USA, Magic Kingdom in Walt Disney World, and Tokyo Disneyland. The latter two, while having their own innovations like Liberty Square and World Bazaar, were still based fundamentally on the same model as the original, which makes cohesion a bit touch-and-go. Disneyland Paris was redesigned from the ground up for two main reasons. One was the necessity of adapting the park to a more refined culture that was already suspicious of Disney. Second was seizing that opportunity to simply rethink Disneyland.
The mark of having to appease France's cultural gatekeepers is all over Disneyland Paris. It is felt most keenly in Discoveryland, their re-imagining of Tomorrowland. Originally this was based more heavily on the influence of French author Jules Verne, with three whole attractions - Space Mountain, Mysteries of the Nautilus, and Le Visionarium - based explicitly on his life and works. They also pulled in the Hyperion, the airship designed by a French aeronaut in the film Island at the Top of the World, and appealed to motifs from Leonardo Da Vinci and H.G. Wells. The opportunity seized here was to address the problem of Tomorrowlands always becoming out of date. By appealing to Retro-Futurism, that is no longer an issue.
The marks are seen elsewhere. Fantasyland skews even more deliberately European, with overt references to authors like Charles Perrault. The design of Sleeping Beauty's Castle was forced by the reality of authentic castles down the highway, and original blue-sky ideas included replacing the castle entirely with a Retro-Futuristic tower. Adventureland also skewed towards European stories - Swiss Family Robinson, Treasure Island - and the European colonial experience rather than the images of Hollywood and American topical exotica (hence no Enchanted Tiki Room). Main Street USA was tweaked to take place in the Twenties rather than the Turn of the Century, and its two walkthrough arcades (addressing the practical problem of moving people around when it snows) refer to Jules Verne-style invention and France's gift of the Statue of Liberty.
Doubling down on these alterations, Imagineers went further. Frontierland was taken beyond a vague theme to having an actual storyline. Frontierland and Adventureland were flipped, so that Adventureland lay beside Fantasyland. This change allowed them to cluster Pirates of the Caribbean, the Jolly Roger and Skull Rock, and Peter Pan's Flight together into a pirate-themed mini-land. It is one of my favourite areas of any Disney park. The landscaping at Disneyland Paris is stunning, as is the architecture. The castle walkthrough was more elaborate, and there is a greater emphasis on walkthroughs in general. I suspect this is partly because those are cheaper to maintain, but they also reflect a more European attitude. Disneyland Paris isn't a carnival for thrill ride seekers. It is more of a genteel stroll through a beautiful park. Copenhagen's Tivoli, second-oldest amusement park in the world and inspiration behind Disneyland, has its share of rides but is also renowned as a beautiful pleasure garden.
Perhaps the reason why I like it so much is that I myself prefer the "genteel stroll through a pleasure garden" to the mad dash after E-tickets. Sure I would like it to have the Jungle Cruise or Seven Dwarfs Mine Train, or a real Haunted Mansion, but it has a solid foundation. Whatever the reason, I would go to Disneyland Paris again and again and again.



